"HEDOBAN Magazine" review: BABYMETAL at Nippon Budokan

The japanese magazine "Hedoban Magazine" did an extensive and dedicated review of the BABYMETAL performances at the Nihon Budokan past March 1 and March 2 as part of the "Budokan 2 Days, Red Night & Black Night" shows that were professionaly recorded to a future release (more info here and here). Read the whole review below, so please take you time for a great read. 

 

BABYMETAL live at Nippon Budokan by HEDOBAN Magazine 

Listen up! …. The “Red night-Black night” are truly Japan’s cutting edge Metal — Babymetal!!

The first chapter of the Metal resistance is compiled right here.

Our report chock full of emotions spanning 10,000 characters (referring to the number of Kanji).


Are you holding on tightly to the Neck Brace that was handed out to you at the opening day at the Budoukan venue?


Are you daily watching the “Live at Budokan” trailer?

The Metallers, no, all of the fans who witnessed the “Red Night/Black Night” are certainly proud of what they saw and are filled with excitement everyt ime they remember every detail they experienced that night that has become etched into their minds. I would like to talk about the “Red Night/Black Night”. Over and over and endlessly I would like to talk about it. I dedicate this 10,000 character report to all those fans who shared these nights with me and with all those true Babymetal fans who have been so fascinated with Babymetal. It is the hope of us at “Hedoban” that this report will serve as a source of reference for “talking about the Red Night/Black Night experience. Our true feeling is that this can not be captured even with 10,000 characters. So, we have entrusted out intent with the 3 girls of Babymetal, with Kobametal and as well with the entire staff that supports Babymetal!


We hope we will be able to see unapologetically and in all its glory the “True Metal” of Babymetal at the Mecca of Metal as was shown to us at the “Red Night/Black Night”.


On February 25th BABYMETAL’s first album went on sale. The night before this albums were first released for sale at Shinjuku’s Tower Records. Toy Factory twitted on its official twitter site that a “Stupendous line of people” had formed outside Tower Records. I couldn’t take my eyes off my Smartphone screen. I became so concerned with each passing second of the current state of affairs of Babymetal that I was unable to concentrate on my work. In a fortunate turn of events “Hedoban” Vol. 3 was scheduled to go on sale this same day. I received a mail from the editor on the day it was to go on sale which said, “It is amazing! Everyone standing in line at the cash registers are holding their hands the Babymetal CD and “Hedoban!”.


So apparently he had gone to Tower Records to check on how things were going. I am quite certain that he wrote that mail with his eyes tearing up.


At the end of last year’s December 21st Babymetal solo concert, “Legend 1997 Su-metal’s Seitansai” held at Makuhari Messe it was announced by way of a video presentation that Babymetal would be performing 2 days at the Nippon Budoukan. For a large number of fans this meant they would have to wait patiently until March 1st until they would be able to experience once again (or for the first time) a Babymetal live performance. Of course some lucky fans would be able to see them before that at a joint show with Kinniku Shoujo Tai, or at their Singapore or Taiwan performances, but this is obviously only a very narrow segment of their fan base. Considering their rapidly expanding number of fans this scarcity of live performances is kind of weird.


Live Legeng 1997, Su-metal Seitansai.

For the ordinary fan the pace of Babymetal’s activities that they are aware of appear to be rather uneventful. It goes without saying that this pace is not anything like the 8-year intervals between albums that we saw with AC/DC but it does feel to one that the metal resistance that has been carried out up to now has been slow and kind of inching steadily along. That is why it is very interesting that in spite of this there has been this sudden increase in the number of fans.


There is very little information about Babymetal. They have no blog and even the official Twitter account only announces the bare minimum of information deemed necessary. It does seem kind of weird. However, that said, one can also be of the point of view that having a smaller amount of information makes things easier to organize and handle in your head. Having too much information can in some cases bring on fatigue or cause you to lose interest. It also may make it easier for new fans to get on the boat so to speak. It is not a simple of case of more is better when it comes to information. Fans who are starving for information tend to listen to the music and watch available video material over and over. That goes for the writer as well and I find myself repeatedly viewing “LIVE ~ LEGEND I, D, Z APOCALYPSE”. I don’t think that it was a purposeful intent to create a state of starvation in their fans, but I would say that most certainly the lack of information has served as a side effect playing around in the background of this rapid increase in the fan base..


And now we come to the long awaited date of March 1st. Due to the large number of fans perched on the edge of starvation the tickets sold out almost immediatelyThe fate of these 3 girls will be decided one the first day of this 2-day event, the “Red Night Legend, Giant Neck Brace festival, the Tenka metal Budoukan Final”.


I was planning to get to the venue early to stand in line to buy goods, but since I was unable to sleep well the night before I ended up arriving after 3 O’clock. I really wanted to buy the legendary Budoukan version of the “Corset Festival” T-shirt but one look at the monstrous line of people made me give up on that idea. I decided to wait for a while outside the venue.


When I looked over the line of people waiting to buy goods I was delighted to see that there were people holding copies of “Hedoban” and even some reading it as they stood in line – a favorable scene to see. It appears that the publication side of the metal resistance is gradually making inroads as well. I had heard all this through mails from my editor before but seeing it with my own eyes actually caused them to well up with tears of happiness.


Had the octogonal center stage really been changed on purpose to make the “most superior metal stage on earth-the Budoukan” into a fighting arena, or colosseum?


OK, here we go-entrance time! My spirit of excitement has been building up to incredible heights. 

As I approach the entrance I am handed a corset and told, “Please put this on as you enter the arena”. It is an obligation possessed by all who enter to wear their corset. When I entered the Budoukan with the corset wrapped around my neck I let out a expression of surprise as I had done when I saw Babymetal at Makuhari Messe.


There was a great octogonal stage positioned right in the center of the Budoukan, and there was a monitor hanging down from the ceiling. Surrounding the octogonal stage there were 4 circular stages in place which connected to the main stage by with aisles. The stage which was all done out beautifully in red and black was embellished with magic squares (Mahoujin). This is truly a work of excellence.


A center stage, and what is more, at a standing only style of concert, at an arena of the class of the Budoukan is an extremely rare occurrence. A long time ago ARB set up a boxing ring in the Korakuen hall upon which they performed and in more recent times Brahman put on a standing only performance at Makuhari Messe. However this may in fact be the first time that a concert has been put on with a stage set-up like this at the Budoukan.


The octogonal center stage deliberately draws out the elite status of the “most superior metal stage” and further helps to portray it as a fighting arena, or colosseum. When I reflected that this Budoukan performance would be a part of a story that began with last spring’s “Babymetal Death Match” and continuing through 2013 Summer Sonic a wave of emotions rose up in my chest.


The stage set-up was a true spectacle and then when I looked around the entirety of the arena an even more mysterious scene met my eyes. The periphery of the stage seemed to my perception like a scene that had been recorded and shown to me in black and white. This was due to everyone in the audience wearing a black T-shirt or a black jacket thrown over their shoulders which were in contrast to the white corsets they were wearing. While I do not know how many people were in attendance, the vast majority were all dressed more or less the same. This also I can only express as being truly spectacular. This type of scenery is also one of the factors that goes into to constructing the world of Babymetal. By the way, if you were to come into the arena without a corset around your neck, one of the “Bonesman” patrolling the areana would point and gesture to you to quickly put it on.


These “Bonesmen” really carried out good work in the arena. Before the concert began they were walking around the arena carrying flags bearing the logo mark of Babymetal on them raised high in the air. They would lead people who had entered the arena to their seats and help them out. At times they would call out “Oi, Oi!” in a loud voice. From time to time their actions would appear on the monitor hanging from the central ceiling. This being seen by the fans in the stands helped greatly in building up their excitement and involvement with the event unravelling before them. This great attention paid to the fine details of putting a first class show is truly a wonderful thing. The result of all this attention to details helps to create a world that separate and removed from ordinary reality.


Somewhere along the way the arena has morphed from a concert venue into a sort of underworld theme park.


The concert has yet to start. I wonder what will things be like when it has finished. 

The arena goes dark. A “Boneman” appears on the monitor and in a deep voice he says, “Kobametal Death” (I am Kobametal) Kobametal is a figure well known to our readers and who is best known as the porducer of Babymetal. However, Kobametal appearing on a large screen monitor at a performance is indeed a rare event. I do not know if he is someone who likes to be the center of attention or not but the fact that he has chosen to appear in form of a character is itself a really interesting idea. He goes on to announce that the “Neck Brace festival” that was in the past held at the Meguro Rockmaykan would now have its venue changed to the Budoukan where it would be called the “Giant Neck Brace festival”.


Next, we are informed through an oracle from Kitsune-Sama that, “When the pitch black darkness transforms into a crimson red color, Babymetal is challenged with a further test conveyed by Kitsune-Sama”. The Fox god continues, “There will be no stories or commentaries between songs, no encore and that from the time one puts the corset on your neck the battle will begin. Indeed we are already headed toward destruction…”. When I heard the word destruction I felt myself shake. The countdown to destruction…Wait a minute sometime in the past I bought a CD that had that as its title.


Have you made preparations for your neck?” Is the switch about to pressed?

“I will ask you once again, have you made preparations for your neck?

The audience growls back loudly, “Guoooooooo!

The Giant Corset festival begins now!


With that the excitement building visual presentation of Kobametal came to a close and the countdown switch was pressed. Here the breakdown part of THAT song was played over and over in a loop. Ki—Tsu—Ne—Ki—Tsu—Ne—Ki—Tsu—Ne…….. That’s right, “Megitsune”. No mistake about it, the most fitting song to be performed as the opening piece is none other than “Megitsune”. The circular stages rise up in a mysterious red light with the three girls posed theatrically. When the “Soiya, Soiya”, “Sore, Sore, Sore” begins the audience is in a festive frenzy.


For many of the fans here this is the first time to meet the girls since the Seitansai held at the end of last year. And there must be many for whom this is their first time to encounter Babymetal-their, “At last I am able to see them in person” moment. So how is it?! Just how incredibly cool is this?! Just how cute are they?! Look! Look at the way they move! All of it including of course the performance of the Kami band is of the highest quality found in Japan at the present time, isn’t it!


During the performance of “Doki Doki Morning” and following through “Gimme Choco” a vortex is formed in the Mosshu Pit. Since the arena is separated into differing blocks each block has formed it’s own respective Mosshu circle all of which are spinning around with incredible momentum. Babymetal fans refer to each other as Mosshu mates. And so Mosshing with this kind of intense energy is just a matter of course. “Zukyun!” “Dokyun!”


The cuteness of Yuimetal and Moametal has in an instant pierced the hearts of 10,000 fans. And this number shall most surely increase as time goes on. In “Iine!” a laser beam was used which added a further feeling of theatre to the arena and immediately following “Kitsune Da O” one saw the incredible sight of 10,000 fans all together doing a Dogeza Hedoban. A true masterpiece of performance.


The girls got to take a brief break before diving into “Catch Me If You Can”. The long version intro provided the 4 members of the Kami band each ample opportunity to show their mind boggling musical skills. The sounds they were drawing out from their vast pool of abilities resonated deeply in the hearts of the audience propelling on the excitement the show. The 3 girls made their reappearance as the entire arena was thoroughly grooved into the heavy sound of the Kami band which served to further heat up the excitement. One could almost feel the Mosshu pit heating up tangibly on one’s skin.


After “Uki Uki * Midnight” it was time to unveil Su-metal’s solo, “Akumu no Rondo”. Once again I have to ask myself, “Just what is this aura, or presence that this teenage girl possesses”? As usual her standing posture is the embodiment of cool strength, but at this moment I felt she was attempting to reach an even higher level. She is truly in possession of a deep well of talent and at this point in time we yet unable to see how far she will go. This chaotic song rolls along with a viciously modulating tempo which she masters perfectly even while engaging and fixating the entire arena. She performed this very difficult piece with smooth ease. I have listened to this song since then repeatedly on CD but it is certainly quite a different animal from the one I heard performed with the blasting sounds of the live performance. 


Black Babymetal composed of Yuimetal and Moametal then performed “Onedari Daisakusen” followed by the incredibly lighthearted and fun yet extremely wild “Yon no Uta” which was unveiled at this venue on this day. Ever since I heard this song for the first time“Yon Yon Yoyoyoyon” has been playing in my head virtually non-stop. And I truly appreciate the Metal reggae section that reminds one of the way the Scorpions did this many years ago. This too is metal. I once again recognized the fact that metal is a genre of music that is able to swallow up any type of music it encounters.


The split second that Su-metal screamed out, “Now, Akatsuki!”, fire flared up from locations around the stage. "Akatsuki”. When Su-metal’s voice rides on the Speed, on the Metal everything heats up to a fervent pitch. I feel that I will fly up infinitely high riding on this accelerated vocal myself. Akatsuki has totally recharged me with vitality and I even have a heightened sense of courage surging through my chest. “Babymetal Death”. A low bass sound that seems to lead one into the very depths of hell resounds eerily throughout the entire arena as the audience responds with chants of, “Death!, Death!”.


Headbanga!” We must be coming close to the end of the show. I was already filled to the brim by this time. Just as Kobametal had declared, this show had proceeded as a non-stop, no MC heavy metal onslaught. In the interval before “Headbanga!Yuimetal and Moametal were running around the periphery of the stage calling out “Hedoban, Hedoban!” stirring up the audience. 


Babymetal - Concert - Schedule.

It was at this time that a problem occurred. There were only two girls on the stage. I didn’t at first realize that Yuimetal had disappeared from the stage. Some of the people around me were also starting sense something was wrong tilting their heads in confusion. "Where did Yuimetal go?"


The performance went on unheeded but there was some kind of commotion going on amongst the fans located near the stage. At this time I was still unable to get a grasp on what was happening. What I heard later was that during the pre “Headbanga!” interval Yuimetal had slipped and fallen off the stage. I was unable however to verify what had happened at that time from where I was sitting.


Su-metal and Moametal performed “Headbanga!” to the end without Yuimetal. The lights in the arena went out and stayed out for some time. I was thinking there is probably one more song to go.


From my perspective I knew there was some sort of accident but it was still unclear to me. My mind went blank-was the show just going to end with things the way they were? Throughout the audience people were yelling out, “Yuimetal!” here and there. These individual calls gathered up naturally into one big Yuimetal call that enveloped the entire arena.


After a few minutes had gone by the lead in for “Ijime, Dame, Zettai” started up. Even with this the audience was still all worked up. On the other side of the darkness appeared the three figures of the girls. The whole erupted in an unbelievable roar of, “Guooooooooooo!!!!” As I stood there overwhelmed and in a state of stunned amazement right in front of me the preparations for IDZ were moving ahead without fail. Yuimetal and Moametal were crouched down in runner’s starting positions. Wall of Death followed by the “Dame” jump-this all feels like a dream. This whole flow of confusion pressed upon me. I was all confused and upset with the excitement of Yuimetal’s accident and I felt for some reason like Moametal had also fell down with all of this seemingly impressed on my memory in a lump sum of detail.


The narration from the Metal master went on to state that the “3 girls had conquered the Tenka Ichi Budoukan” had achieved the status of “Real Metal” bringing this narration to a conclusion.


I was unable to believe all the events that had occurred right before my eyes. I remember thinking this is what is meant by having one’s mind go completely blank almost like being in a trance. I think there must have been a large number of others fans who felt the same way as I did. With that the countdown to the “final chapter of the metal resistance” had begun. I was unable in my state of mind to follow what the narration went on to say however.


While the length of the concert was just about exactly 1-hour, in consideration of all that had happened it certainly didn’t feel like just 1-hour. I have read what has happened with this accident as being part of the great power that has become part of the Babymetal legend when I reflect upon it now.


Even when the lights went on in the arena, I was unable to return to ordinary reality.


SETLIST

1. Megitsune

2. Doki Doki Morning

3. Gimee Choco

4. Iine!

5. Catch me if you can

6. Uki Uki Midnight

7. Rondo no Akumu

8. Onedari Daisakusen

9. 4 no Uta

10. Akatsuki

11. BABYMETAL DEATH

12. Hedobangya!

13. Ijime, Dame, Zettai


A conclusive ceremony that spreads out to the final and a thorough homage to X Japan. The first chapter in Metal resistance opens the door to a new form of metal beauty.


Black night

Legend “Doomsday”

Justice of summation

March 2, 2014

Nihon Budoukan


Every seat in the arena is filled. Everyone here is hoping to become a witness to history.


The night before March 2nd I was filled with an incomprehensible excitement and ended up drinking too much. There was no way I could get through this night without drinking.


As you can imagine I was completely concerned with the situation surrounding Yuimetal every since my encounter with it at the first performance. However, I had received a twitter saying, “yesterday we are sure you were really surprised but Yuimetal is now completely fine and healthy” which even included a picture verifying this claim. Twitter is certainly useful in these situations. With my feelings of uncertainty being wiped away from my mind I went drinking with a friend. With that and a feeling of being one of the chosen ones I made my way to the arena. I was once again unable to buy a T-shirt.


In the same manner as yesterday, the stage was a center stage layout. But there was one part that was different. A barrier had been set up alongside the runway leading up to the stage. All of the fans felt a feeling of relief knowing that safety measures had been taken. All that is left is to wait for the start of the show.


This is the second day of the Budoukan performances so I am wondering what will be the ceremony prepared for this "Black Night Legend “Doomsday Justice Of Summation" show. Every seat is filled. Every fan here is here with the intention of becoming a witness to Babymetal history.


While waiting for the show to begin I was pondering on the hidden meaning of “Doomsday” that had been inserted into the subtitle. From before I had been concerned about the homage to X Japan that had been repeatedly introduced into the Babymetal world. “Crimson Night” and “Black Night” were certainly created based on the “Blue Night” and “White Night” concerts held on December 30 and 31, 1994 and the roots for the Neck Brace definitely came from Yoshiki. And I certainly can not be without remembering Toshi’s scream when considering “Akatsuki”. However, I keep getting the feeling that there is something more hidden and contained in this term Doomsday. And I am sure this will be revealed in tonight’s performance. I may in fact have missed something from yesterday’s show.


I knew from reading an interview in a magazine that Kobametal is a big fan of X Japan. Even before become a producer I got the feeling that he had the quality of being a big fan of X Japan. He expresses his love of music very openly without playing down his deep appreciation of heavy metal. This is actually a very big point. This gives him a very unobtrusive almost air like quality in his approach to producing Babymetal that is not just one of producing them as a product. Metallers are extremely sensitive to this air like quality of producing. The Metal music market when looked upon world wide is a very big market and yet each band that has succeeded has done so with a production quality similar to the one possessed by Kobametal. The atmosphere surrounding big bands such as Iron Maiden or Metallica all very much feature this quality. The reason we Babymetal fans are able to trust the entertainment provided by Babymetal is perhaps found in this quality.


One performance is already finished and from today this vast Babymetal story will begin once again. And that is absolutely the way things must be. “Doomsday-From the gigantic magic circle the sound of gong emanates out announcing the final stage of the Metal Resistance


The lights go out in the arena and the narration begins. Yesterday’s “Crimson Night” performance, excepting for the accident that happened, was a simple and straightforward stage without excessive dramatic touches. Today’s performance looks like it will develop into theatrical one flavored with movies.


“The Metal soul burning in the dark of the night turns into the crimson flames and all is consumed in flames”.

The picture story theatre begins. Today is one period in time. One story ends and from today once again a vast story begins. It must be this way. “The time remaining has become very scarce…

From before I had a thorough premonition that today something would be coming to an end, but when I actually heard it coming through the narration my chest was hit with emotion.


The first song was “Babymetal Death!”. The arena immediately turned into “Hell”. My mind and body shook with the fact that today’s setlist differed from the day before. In the next song, “Iine” Su-metal nonchalantly threw out the ominous word of, “Doomsday”. By the way, yesterday the word was “Budoukan!”. This is one of my favorite moments, when one can peer into the extremely scarce moments of “essential” Su-metal.

Not appearing in the set list yesterday, “Answer For Animation With You”, was performed today with the 3 girls flying all over the gigantic stage in every direction. While I would love to be able to more closely observe each girl’s expressions and movements, the speediness with which they move makes this impossible. There is just so much information that enters into one’s field of vision at a Babymetal performance. Even though there are just the 3 girls on stage it feels like an unlimited space spreads out before one on the stage. So, I often feel like I may perhaps be missing something that I should have seen. I think this is one of the reasons all of us tend to repeat over and over some scenes when watching a recorded video format. The number of view counts on Youtube for “Gimme Choco!” is an amazing phenomena but much of that is probably due to this natural desire to re-watch parts of the performance. The picture story theatre portrays the pair of Yuimetal and Moametal extremely excited watching the most recent version of their favorite Anime, “The happy grape man” in the Cyber city of A-Ki-Ba.


Grapeman challenges the girls to show him real reggae and he will reward them by teaching them the real way to arrange the number 4. With this, the two transform into Black Babymetal and go on to perform “Onedari Daisakusen” and then “4 no Uta”. Happy 4! The cuteness of Yuimetal and Moametal was so outstanding that even today I felt a rush of infatuation. The picture story theatre begins again. Both screens show a story of a young girl carrying a cross of despair with a soft yet strong ballad playing in the background. It would appear that this is a new song.


Su-metal’s voice completely blends her heart with the song. The emotions that bubble up from within her build up to their limit and expresses this song straight and honestly as a 16-year old girl would. While it still might not yet be a 100% perfect performance, her emotional posture strikes right to the core of the hearts of all who hear it. When she was singing “Akatsuki” I could swear that there were huge streams of fire shooting up behind her. I promise I am not lying.

As we enter the second half, they fly right through “Catch Me If You Can” and into “IDZ”. This rich and dense stage show leaves one bored for not one single second. This style of performance reminded me of Yoshiki’s famous quote of, “the aesthetics of a moment”.


In this completed stage we find a rich and dense style of beauty that has been fostered over nearly 40 years of Heavy Metal history. When I first saw Babymetal exactly 1 year ago they were already in possession of the ability to transmit a very powerful and attractive charm. Babymetal has progressed this far due to a strong belief in themselves. The result of that is that they are able to fire up and entrance 10,000 fans in a live show. Now the scale of their stage shows are 10 times or more greater than they were then. We believed for a long time that this would be the case.


We are ! …Babymetal!


When I came to my senses I realized that we are almost at the end of the show. I seems I always feel this way. The girls pleasantly sing out, “See you!” and make their lightfooted exit from the stage. I was happy beyond measure. I want to express my appreciation for having met Babymetal. Kitsune-sama, thank you!


One of the factors of attractiveness of Babymetal is their “style of beauty”. This is not a “Style of beauty Metal”. That is to say it contains the essence of Metallica’s theme of the destruction of the goddess and X JAPAN’s Speed Metal sound and many of the other great parts of the Metal movement that have so excited the world. This so magnificently completed stage is built on the foundation of a style of beauty that has been fostered over almost 40 years of Heavy Metal history. It can be said that the world of Babymetal is a form of entertainment that is built based deeply on the past history of Heavy Metal. And that is why they are able to engross and entrance us to this degree.


And further, today is a special day. Everyone in attendance today knows that this is not the end of things. The narration begins again. “The crimson flame burns up everything, and when this land is completely engulfed in a pitch black darkness at last the moment of fate shall come to us…we are heading to the final chapter of the Metal Resistance”. As soon as the narration began, the entire arena became completely silent. “Kitsune-Sama said, ” With that the Gong is rung making a divine oracle like statement that the curtains have risen on a new legend."


This brought on an uproar from the audience. This eruption of cheers from the fans came at the moment when it was announced that the Legend would be starting up again. On both of the screens a new character was seen and this is the mother of Kitsune-sama-”Godmother”. “You are the one who banged the Gong”. With this the crowd erupted into laughter and a very pleasant mood spread throughout the arena. Amidst this aura of new hope that filled the arena the audience began the calls for an Encore.


“Doki Doki Morningt” started. Isn’t it a heart warming gesture that the song that commemorates the start of Babymetal is selected for the initial Encore song? And now we know that the group will continue to exist. I felt like I would cry. They continued with one more song. The last song of the first chapter of Babymetal and their first major debut song, “Headbangya!”. That’s right, the 3 girls sent out a wolf smoke signal of the metal resistance with this song.


Hedoban, Hedoban, Banbanbaban!


The performances of the first period of Babymetal continued to this point. The audience had their eyes riveted on the form of this performance. The shows have now completed transformed into a ritual. Every single fan was watching quietly over this pattern of events in an atmosphere of dignified seriousness. Even with the conclusion of the 2nd song of the Encore the lights in the arena stayed off. “Shall we now talk about the totality of the Metal Resistance?” After a short span of time began the “History of the fierce fighting of the Metal Resistance”, or, a history of the activities of Babymetal. “The media, politics, economy and indeed everything in this land was under the control an enormous entity known as “Idol” and its dark and overwhelming power. Everything other than Idol songs were considered to be harmful and Metal was no exception."


I read this over and over and could recite this narration from memory even now. “The prayer of the messenger requesting the reinstatement of the rights of Metal reached the ears of the god residing over all Metal matters, Kitsune-sama, who went on to give the name of Babymetal to Su-metal, Yuimetal and Moametal a unit given birth on the theme of fusing together Idol and Metal and brought them in to this land. Kitsune-sama provided Babymetal with numerous trials to make it possible for them to take possession of true Metal”.


10,000 fans were gazing at the monitor in the center of the stage in silence. The narration goes on passionately as scene after scene of momentous episodes in Babymetal history reeled by on the screen. “Traveling down this pathless path, the girls changed ever single challenge they faced into Legends and the sight of actions struck deeply into the hearts of all witnessed them”.

Oh, that’s right, this is reality. This all really happened. This was not a work of fiction. “Kitsune-Sama spoke divinely to Babymetal. The first chapter of Babymetal in this land has come to a conclusion” and with that 3 coffins began to descend slowly from the ceiling of the BudouKan. It appears that the girls are being summoned to a new land. “Doomsday-time has come”, it seems the time has arrived. For whatever reason, the narration now continues in English.


 

“Screaming and Dance-Moametal”

“Screaming and Dance-Yuimetal”

“Vocal and Dance-Su-metal”

 

Dressed in new costumes each member is introduced. When the 3 girls have entered into the coffins they are raised up high. This is now nothing other than a ritual. In the background orchestral music is playing. Every fan, every single one of them was watching this in solemn silence. In conclusion the narration goes on to say, “Babymetal, say Goodbye”. The crowd moaned in awe, “Eh..!

 

to Japan, Japan, Japan…..”What is this?! What in the world is happening!? This seemed to be the mood in the arena and my head was thrown into confusion. On both of the screens appeared the words, “Babymetal Japan”. Next the words of “Legend “Y” Yuimetal Seitansai (Birthday festival) and “Legend “M” Moametal Seitansai”. Next on the screen appeared a world map moving away from Japan and on to…Europe. While my mind was in a state of confusion to the end and I don’t remember clearly what took place, it seems that the Seitansai were going to be held in the countries of Europe. Babymetal’s Metal Resistance on this land has come to a conclusion and it is now time for them to continue their warrior training in foreign lands.

 

When I looked up I saw the the Hi no Maru flag of Japan. Alright this is not bad, Europe is great idea! With this the curtain came down on 2 days of performances in the BudouKan. Even though a few months have passed since then the incredibleness of the event stays with me. I have no idea how I am going to be able to convey this in writing. Anyway, we have once again been witnesses to the creation of a Legend. Of that I have no doubt. “Japan, Japan, Japan…” for quite some time this “Japan” echoed in my head. I am sure that those of you who are familiar with X JAPAN will understand this. That is this reverberation of “Japan”. Their live performances begin with a narration. The orchestra that was playing in the background was an homage to “Amethyst”!

 

At the 2 days concerts “Blue Night” and “White Night” held at the end of December 1994 at the Tokyo Dome, X JAPAN used this “Amethyst” as their opening song. This song was released in 1993 and was included in YOSHIKI’s solo album and was also released as a single. While this song was playing each member of the band was introduced with a female voice narration as they made their entrance onto the stage. And then the narration went on to echo, “X JAPAN, Japan, Japan…” followed by the performance of their first song in the Set List. And then, one more thing. In yesterday’s narration the phrase, “heading toward destruction” was used. In January of 1992 at their 3 days of concerts at the Tokyo Dome and when X JAPAN was still going by the name of X they used exactly this phrase as the title of the concerts. Not Mega Death. Babymetal’s final concert in this chapter can also be considered to be one performed under the name of X and of “heading toward destruction”.

 

Now, I see, all is connected. The lights in the arena went on and if one looks up one can see the Japanese flag, the Hi no Maru. Not bad. Not bad. Europe, sure Europe is an excellent choice. Show the entire world this new type of Metal that was born in Japan! Show them this incredible entertainment packed full of Heavy Metal history! Babymetal is a group with whom it is possible to draw a straight line right into the history of Metal. As a form of Metal renaissance this will become a movement that totally envelops the entire world. There is no doubt about this and it is coming soon. The age of Babymetal will come into existence without fail.

 

SET LIST

1. Babymetal Death

2. Iine!

3. Answer For Animation With You

4. Onedari Daisakusen

5. 4 no Uta

6. New song (No Rain, No Rainbow)

7. Akatsuki

8. Catch Me If You Can

9. Uki Uki Midnight

10. Gimme Choco!

11. Akumu No Rondo

12. Megistsune

13. Ijime, Dame, Zettai

Encore

14. Doki Doki Morning

15. Headbangya!

The summoning ritual

 

 

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Translation by: Thomas Malone


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